About poem for your valentine
About poem for your valentine
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"Gentle" has good connotations - displays optimism and hopefulness Firstly of recent relationships
Even though Duffy’s speaker makes an attempt to offer a genuine expression of love, Cooper Clarke’s speaker expresses an uninhibited declaration of commitment
We don’t know who the “you” is, but Maybe, because it’s the sort of one that would Ordinarily receive a “cute card”, it’s a lady. This matches with Duffy’s daily life, as she has experienced male and feminine associates, while the poem isn’t automatically biographical.
as I did my mother's souvenirs of journeys with my dead father, Kodaks of kittens, and bundles of cards from her mom Kate.
He speaks about the “Axis” powers versus America and juxtaposes their hate versus his love. Every single statement builds on the next, a method known as accumulation. By the tip of your poem the listener, “you,” must have a good notion of how the speaker feels.
Duffy deliberately disrupts the historically romantic and eternal metaphor of the “moon” with the reference to prosaic “brown paper”
She progresses by way of lists of sentimental or vulgar gifts until, at the tip, we are still left with a twist. It is how we interpret this previous term that informs the meaning in the poem.
The poem comprises four free-verse stanzas. Lines are of uneven length and the rhyme plan is irregular. The poem is unified with the repetition in the line “I wouldn’t thank you for any Valentine” at the end of the main a few stanzas, an illustration of anaphora. The last stanza finishes with an altered Edition of this.
The critic Frederick Pollack praised the book as probably “the final masterpiece of American Modernism. Any poet who seeks to surpass this style ought to here research it; any reader who may have misplaced desire in modern poetry should really go through it.” Aged and New Poems
Valentine is from a set of poems entitled Imply Time (1993), and expresses love and passion in the form of a conceit whereby the image of love becoming supplied by the speaker is definitely an unconventional onion
This is referred to as a chorus. There's a good illustration of sibilance in the main line from the 3rd stanza with the words “sailor” and “sea”.
‘Valentine’ concludes with a cautionary message about love’s opportunity for agony. In distinction, ‘Cozy Apologia’ finishes with a softer Take note and conveys the enduring memory and luxury the speaker finds in wondering about their loved a person
Hadfield’s poem, in distinction, includes common rhyming couplets that signify a well balanced voice:
The speaker desires to reassure the listener that they're not offering platitudes through a “cute card” or possibly a “kissogram” (a message shipped and accompanied by a kiss)